Joan

主演：托马斯·兹代克,马塞尔·萨巴特,卡米尔·谢普特茨基,Magdalena Kolesnik ,Sandra Staniszewska ,沃伊切赫·杰林斯基,安杰列·查拉,克日什托夫·格洛比什,达努塔·斯腾卡,亚特·祖米卓斯基,奥尔基尔德·鲁卡斯瑟维克茨,Wolfgang Boos ,Hans Heiko Raulin ,马里安·杰奇茨,Joanna Jakubas ,Anna Der
简介：1939年的华沙，三位高中毕业生阿列克，索菲和鲁迪，计划开始成年生活二战爆发了，他们被无情的卷入了战争…… 　　本片根据波兰著名同名小说改编，讲述了二战华沙被纳粹德国军队占领期间，波兰童子军的年轻人与德国占领者进行英勇斗争。原型来源真实历史事件——1939年9月1日，纳粹出动大军突袭波兰，波兰在短时间内被纳粹侵占。9月27日，在波兰地下抵抗组织支持下，波兰地下组织成立了著名的“灰色等级”童子军。“灰色等级”童子军成员按年龄分工：年龄较小的负责宣传活动，比如在街头张贴反纳粹标语，而17岁及以上成员则组成组织中最出名的部队——“童子攻击队”。这支童子军部队曾从盖世太保的运囚车队中救出抵抗军领导人，并参与暗杀恶贯满盈的纳粹军官的行动。

主演：瓦妮莎·雷德格雷夫,蒂莫西·斯波,史蒂芬·洛德,温迪·摩根,迈尔斯·基奥治,Joanne Pearce,David Schaal,John Alan Roberts,Jon Furlong,Paul Bergquist,Laurence Mills,Kíla Lord Cassidy,Rose Noble,Jennifer Banks,Giselle Cullinane,
简介：他那咄咄逼人的控制狂母亲　　成就了二十世纪英国最伟大的画家之一　　L.S. 洛瑞是二十世纪英国最伟大的国民画家之一，独特的画风深受英国民众喜爱。但是他的画作在早期却遭艺术评论家嘲笑为出自儿童之手，因为他笔下的人物，头大大，身体细细，就像一根根的火柴棒一样，被称为“火柴男人”。虽然说洛瑞的母亲伊莉莎白女士，一生都在阻扰他的艺术事业，但是洛瑞之所以能够成为优秀的画家，却不得不归功于他的母亲。在他父亲去世之后，洛瑞负责照顾卧病在床的母亲，每每等到她入睡了才在阁楼开始作画，全心全意，甘之如饴。抑鬱寡欢的伊莉莎白总是叨叨念著她对儿子的不满与失望，洛瑞却终其一生都在追寻著如何让母亲快乐，他的生活与他的画作都渴望著母亲的认同。本片由知名皇家莎士比亚剧场前任总监亚德里安．诺布尔担任导演，找来坎城影帝提摩西司伯饰演这位伟大的画家，以及坎城影后凡妮莎蕾格烈芙饰演控制狂的母亲。两人精湛的演技，演活了这对讽刺却又带幽默的母子。　　「烟囱林立以及冒著黑烟的天空，火柴男子出现在一成不变的工业景观裡踽踽独行。」洛瑞的作品纪录了后工业化的英国城市景观，以及人们的疏离，直到现在，仍能引起共鸣。他在晚年被皇家艺术学会及曼彻斯特学院延揽，作品曾以370万英镑高价售出。他多次拒绝了英国首相颁发的勳章，并拒绝了勳爵的封号。

主演：亚历克西斯·肯德拉,斯特里奥·萨万特,瑞秋·艾里格,伊莉莎白·桑迪,Mykayla Sohn,JoAnne McGrath,Keri Marrone,Robert Hugh Starr,Carla Wynn,Kim Marie Cooper,Logan Garretson,Zarif,Nicole Danielle Watts,Kai Cofer,Skye Sea
简介： 　　Asameanstodistractherselffromanaffair,alove-addictedwomanbefriendsacleaninglady,badlyscarredbyburns.Shesoonlearns,thesescarsrunmuchdeeperthanthesurface.

主演：索菲·瓦瓦塞尔,史蒂芬·比灵顿,Richard Felix,乔·安妮·斯托克汉姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich
简介：正值青春期的少女艾玛（苏菲·瓦瓦希尔 Sophie Vavasseur 饰）因小事与父母发生争吵，继而用玻璃碎片割破自己的手掌。在此之后，父母子女的关系虽有所松动，但是新的危机已悄悄展开。艾玛是不是会做出些奇怪的举止，这令父母异常担心，于是只得将艾玛留在家中接受教育。期间他们尝试带女儿去看具有催眠本领的心理医生，谁知医生最终猝死艾玛的膝上。艾玛自感自己已被魔鬼附体，因此不顾崇尚科学的父母的反对，执意求助于因驱魔失败而被革除神职的舅舅基斯（道·布莱德利 Doug Bradley 饰）。

主演：克里斯托弗·冯·乌克曼,Karina
简介：一直被教导做等待王子来营救的女主，反思为何不做自己的公主，甚至是变成精灵去帮助他人，演绎了一段诙谐风趣的独立女性的喜剧....

主演：Birte Glang,Mira Bartuschek,亚历山大库翁,Petra Berndt,Nico Ehrenteit,Anna Florkowski,Klaus-Peter Grap,Joanna Kitzl,Nicole Marischka,Stefan Pescheck,马克·本杰明·普赫,乌尔斯·瑞恩,Daniel Rodic,Frank-Leo Schröder,Philipp S
简介：诺拉（Mira Bartuschek 饰）是一个普通的不能再普通的女孩，似乎所有的浪漫故事都和她无缘。在广告公司里，诺拉只是一个名不见经传的小小实习生，职业道路黯淡无光。一天，诺拉的表姐艾米丽突然拜访，希望能够在诺拉家接住，艾米丽的职业非常的奇怪，她是一个职业约会员，她的到来替诺拉打开了新世界的大门。

主演：Tobias Schäfer , 科茜玛·亨曼 , Monika Oschek , 汤姆·贝克 , Samirah Breuer , Louis Jérôme Wagenbrenner , 薇薇安卡 , Lilly Joan Gutzeit , Nhung Hong , Maximilian Schneider , Leander Lesotho , 贾斯敏·沙克里 , Merlin Sandme
简介：两个最好的朋友试图完成高中学业，同时应对令人尴尬的新冲动和彼此之间非常不舒服的感觉。

主演：方·基默,琼妮·威利,沃维克·戴维斯,吉恩·马修,帕特里夏·海斯,比利·巴蒂,帕特·罗奇,加万·奥赫利希,菲尔·方德卡罗,托尼·考克斯,凯文·波拉克,瑞克·欧弗顿,肯尼·贝克,萨迪·科尔,鲁斯迪·戈夫,谢丽尔·霍华德,大卫·西布利,阿什利 C.威廉姆斯,David Steinberg,Robert Gillibrand,Mark Northover,Mark Vande Brake,Joanna
简介：本片描述的是在黑暗的中世纪，女王巴夫莫达听说一个即将诞生的女婴会在将来推翻她的统治成为王位的合法继承人，于是下令将王国内所有的怀孕妇女全部处死。同一时间，一个叫达南的刚出生女婴被送到了木筏上顺流而下，矮小的内尔温族人威洛（沃维克•戴维斯 Warwick Davis 饰）将她救了起来。威洛想将达南送归戴基尼人，于是带着她上路了。巴夫莫达女王得知消息后派出索莎公主和凯尔将军前往抓捕威洛他们。达南最终命运如何，她是否就是那位将来会推翻巴夫莫达统治的人？

主演：埃玛·苏亚雷斯,埃尔南·门多萨,Ivan Cortes,Joanna Larequi,
简介：[第70届戛纳电影节(2017)一种关注单元评审团奖获奖作品，影片讲述了一个怀孕了的17岁少女Valeria，和她同父异母的姐姐共同生活，虽然Valeria并不想要长期缺席在她生命中的母亲但是当她发现自己怀孕并且马上要为一个婴儿担负起责任，她决定告诉她的母亲。随着女儿的到来，我们也很快就能知道为什么Valeria想远离她的母亲…]

主演：Bob Dylan , Joan Baez , Judy Collins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.